Cover Reveal: LOUDER THAN WORDS by Iris St. Clair

I'm thrilled to present the cover for LOUDER THAN WORDS, a touching YA romance by Iris St. Clair, releasing September 16, 2014 from Swoon Romance. I consider myself privileged to have read an early draft of this, and I loved every word - I can't recommend it enough!

From Goodreads:
Disappointment has been on speed dial in Ellen Grayson's life lately. Her dad's dead, her mom is numbing the grief with drugs and alcohol, and her so-called friends are slowly abandoning her. Trusting a popular teacher with her troubles should have been safe, shouldn't have led to an unwelcome seduction attempt, shouldn't have sent her running to the girls' bathroom for the final moments of her Junior year. Lesson learned. Best to keep all the sordid details of her life to herself.

Enter Rex Jacobi, a cocky teen recently transplanted from New York and fellow summer camp employee. Though his quick wit and confidence draws her in, she's not letting him get too close, not til she's sure she can trust him. By the time Rex's charming persistence wears down her resistance, it's too late. He's put Ellen on the perma-pal shelf and shifted his romantic attentions to her arch-rival. Even worse, the teacher who tried to seduce her is still misbehaving with impunity.

With her ability to trust as shaky as a chastity vow on prom night, Ellen must decide if she has enough remaining courage to speak up about her teacher and risk retribution, to tell Rex how she feels and risk heartbreak, or hold all her secrets inside, the only safe place she knows.

About the Author
Iris St. Clair is the pen name for a long-suffering cubicle worker by day, a Walter Mitty-like dreamer by night. (Her alter ego Tatiana Ivanadance also choreographs gravity-defying routines in those fantasies, but that's another bio.)

No matter what genre she writes, she prefers witty, insecure heroines and kind, persistent heroes able to break through to the gooey heart inside. In high school she was voted most likely to win at Monopoly and Clue, but least likely to throw aball anywhere near a target. Thank goodness writing requires less hand-eye coordination, punctuation errors notwithstanding.

Iris believes in the two-year "fish or cut bait" dating rule and has a 20+ year marriage and two teenaged sons as proof of concept. She lives, writes, dreams and dances in the rainy Portland, OR area.

Learn more about Iris: Website ~ Goodreads ~ Twitter ~ Facebook ~ Pinterest

Cover Reveal Organized by YA Bound Book Tours

Guest Blog and Giveaway

I have a guest blog up over at the Femmes Fatales blog today, "Writing the Unexpected" - please come on over and say hello! Huge thanks to my wonderful host Kris Neri, author of Magical Alienation and High Crimes on the Magical Plane.


Guest blog at Femmes Fatales

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And the giveaway for a LAST NIGHT IN GHOSTTOWN cover art postcard is officially over. Congratulations to winner Lisa M. Cronkhite!

Link Soup: Writing Tidbits

Lately I've been lucky enough to come across exactly the article I needed, at exactly the right moment. (I love it when that happens!) These have helped me kick start my creativity (and my motivation) again - I hope they're helpful to you, too.

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And a reminder, my giveaway for LAST NIGHT IN GHOSTTOWN cover art is running for another week! Find out how to enter here.

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The Crushing Weight of Expectations ~ Writer Unboxed
Essential reading for every writer! It's easy to get overwhelmed by the plethora of Writing Do's and Don't's - and that's not to mention the added factors of Market Yourself and Social Media Presence! The end result, for me, is not writing at all. Which is of course not terribly productive. So this article was a much-needed reminder that creativity for creativity's sake is never a bad thing.

Writer's Block? Use a Random Generator ~ Jami Gold
This article is so chock-full of shiny links that there's literally something for everyone. Pantsers, outliners, broad-stroke types and detail-oriented nitpickers (guilty!) - no one should be left out. Sometimes it just takes one little idea spark to kick the flames back to life.

I Have an Idea. Kinda ~ Janice Hardy
This article could have been written solely for me. I always start with a premise or vague idea snippet, and my personal challenge is creating a plot. This must-read from Janice Hardy gives many different ways to flesh out the beginning of an idea.

Setting the Scene: Weather ~ Fantasy Faction
I confess, I'm a weather nerd. I find it strangely fascinating. Perhaps because I live in Arizona, where it's common to have several conflicting weather phenomena happening simultaneously. It's also a strong, effective tool in the writing toolbox. It can ground a scene, set the locale, and convey mood and atmosphere like nothing else. This excellent article touches on all of the above and more.

10 Traits of a Strong Antagonist ~ Janice Hardy
Who doesn't love a good villain? Sometimes they can be more compelling than the heroes - just look at the amount of Loki fan art on places like DeviantArt. Sorry, Thor. Anyway, Janice Hardy has a fabulous breakdown of what makes those love-to-hate characters so rootable.

Answer Me These Questions Three

I'll admit it, I've been known to get so caught up reading articles about writing that I don't get around to actually writing anything. Though this doesn't put words on the page, I've learned some amazing tips and techniques this way.

Recently I read a great article for pantsers by the great Nathan Bransford, How to Plan a Novel Without Actually Outlining. He proposes three simple questions that will get your brain going without being crushed under the weight of outlines and beat sheets.

And, because every writer is different, I started thinking on which three questions I *need* to know before I feel ready to write a story.

Who are my characters?

Best to figure this out first, because you're going to be spending a lot of time in their company. And I'm a character-person anyway - my stories always start with characters, long before a plot or even a story makes an appearance.

Beyond the basics of male or female, young or old, worldly or naive, I need to delve deep into my characters' inner workings - their greatest fears, hopes, vulnerabilities. In short, what are their biggest issues? How can I ensure they face said issues as much as possible? For instance, Dev in LAST NIGHT IN GHOSTTOWN fights a combination of anger, denial, and regret. Naturally he gets mixed up with Rishi, who challenges every single one of these demons, forcing Dev to face what he's spent years ignoring or bottling up.

What kind of world do they live in?

This question undoubtedly carries more weight for SFF writers than most. What makes this world different from the "normal" world? Even urban fantasies and modern-day settings have something that sets them apart from the world we ourselves inhabit.

For more far-flung settings (second world fantasy, distant futures, so on and so forth) what are the key features of this world? Because I dislike writing (and reading) what has been done a million times before, I always look for a different take on things. LAST NIGHT is set in a distant future where Earth is a footnote in the history books. Nothing new there. So I went for an Indian-inspired setting, and tried to build the worldview, history, and technology from there.

And most importantly, how does this world affect the characters? I'm always drawn to stories where the world is so real that it's practically its own character, which allows for more dramatic interaction with the main characters than a flat, passive backdrop of a setting.

What kind of story do I want to tell?

Perhaps even more than the others, this question is the kicker. Because no matter how real your characters or believable your world, a story that you're not interested in telling is a story that won't be written.

I knew from the beginning that LAST NIGHT would be a love story. Other ideas, however, aren't so easy. One of the ideas currently bouncing around in my brain is about an empath. He has a tragic past, and his present isn't too great either. He meets people - people from his past, mysterious people, people with Special Abilities like him - and struggles to learn who he can trust as he makes his way in the world. His world is modern-day, or relatively close, and set in the US southwest.

And I have no idea what kind of story it is.

Does it want to be a mystery, as he discovers his place in the world and figures out who he can trust? A thriller, as he struggles against a shadowy force which would harm People Like Him? A romance, as he learns to control his ability and decide which emotions are he feels are real, and which are just reflected back?

Honestly, this idea could become any one of these things, or perhaps all of them. I'm not sure yet. But until I know, this will keep simmering on the back burner.

Because a story can't come together if it's having an identity crisis.

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What questions do you need to ask yourself before you're ready to write? Do they change from story to story or are there certain answers you need every time?

Link Soup: Trees, Plots, and Being Normal

 

Trees in Fantasy (part 1) ~ Fantasy Faction
I've always been fascinated by trees, and in the best fantasy stories there is usually no shortage of them. My fourth grade teacher read several of the Chronicles of Narnia aloud in class, ending with The Magician's Nephew. The idea of the Woods Between the Worlds enthralls me to this day. This article is the first of a series, and examines tree mythology from around the world - as varied as many creation myths are, it's notable how many of them include trees in some way.

Are YOU the Writer's Block? ~ Donna Cummings
Essential reading for any writer. My answer (and I doubt I'm alone in this) is a resounding YES! Though I find my type of writer's block tends to be of the "I'm not good enough and everything I write is crap anyway so why bother doing it because my time would clearly be better spent alphabetizing my sock drawer" variety. Which is even less helpful than it sounds.

Too Much of a Good Thing: Over Plotting Your Novel ~ Janice Hardy
I generally struggle to come up with the main plot for any given story, so over plotting has never been a big concern. But this excellent article from Janice Hardy is still very interesting. I found her over plotting symptoms extremely helpful in a reverse engineering kind of way. And her final checklist of what a novel needs is essential for any kind of writer.

But I Just Want to Be Normal! ~ Fantasy Faction
I admit it, when I saw the title, I immediately thought of Charmed. If you saw any of the later seasons, you know exactly what I mean (this was practically the show's motto). Confessions aside, this post is a must-read for anyone writing urban fantasy or any modern-day SFF.

Novel Diagnostics ~ Kristen Lamb
More wisdom from the always-helpful Kristen Lamb. This breaks down the most common (and easy-to-miss on your own) problems that show up in the first ten pages, and gives excellent ideas on how to remedy them.

"Dryad's Dance" and "Dryad's Dance II" courtesy my alter ego

Letting Your Story Simmer

I recently came across a wonderful post by Sangu Mandanna on Janice Hardy's blog, Give it Time, about the importance of letting a manuscript rest so you can come back to it with fresh eyes. It really resonated with me because it's exactly how LAST NIGHT IN GHOSTTOWN was written.

Not through planning or foresight, mind you, but simply through sheer dumb luck. Or more accurately, writer's block and a short attention span.

Requisite writing analogy: A story is like soup. If we don't give it time to simmer, it ends up bland and tasteless.

Writing LAST NIGHT spanned about three and half years, during which there were several gaps when I didn't write at all. Chaos in real life, a troublesome scene or section, or a new painting would distract me, and the manuscript would languish, sometimes for months at a time.

The longest gap was the last half of 2012. I'd been writing pretty steadily before that, but got stumped when the ending I'd planned for years fell flat on its face. Time for a break, I decided, with an art project that I expected to take about three months.

It took seven.

When I finally, finally looked at the manuscript again in early 2013 I discovered, much to my surprise, that it wasn't as bad as I thought. In fact, I actually liked it. Enjoyed rereading it, even.

This was far more than I'd ever expected.

And after a prolonged break, my mind was finally fresh enough to tackle that ending dispassionately. To see what the story needed, not what I thought it needed, and find a way to deliver.

So if there's anyone that's ever wondered if that "let it rest" advice is really all that important, I can vouch for it. Yes, it is important. Vital, even.

Do your story a favor, and let it simmer on its own for awhile. You'll be glad you did.

Just don't let it boil dry.

What Drives You to Write? Blog Tour

This post was inspired by the My Writing Process Blog Tour from Jami Gold: What Drives You to Write? As Jami says, writing can be a difficult creature - so many different hats to wear, balancing our own creativity against an ever-changing market, and so on. Not to mention the effects of continually plumbing the depths of our psyches and laying the results bare for the world to see. So why keep doing it?

Simply put, because we can't stop.

What Are You Working On Now?

Ostensibly, a short story that combines knitting and Chinese vampires into a darkly humorous urban fantasy. At least, I hope it's funny. That's what I'm aiming for! I haven't had much time for it lately, I confess. But now that some other real-life distractions are out of the way, I want to get back to it.

I have several more ideas simmering, including a second-world fantasy retelling of The Little Mermaid, a modern-day story of an empath, and a fairy-tale-esque love story of magic and transformation. They keep jockeying for attention in my mind - we'll see which one wins out.

How Does My Work Differ From Others of its Genre?

That's a good question. I'm not sure of the answer!

I would like to think my characters set me apart more than anything. Characters have always been my primary interest, both as a reader and a writer. I'll keep reading a so-so book with an amazing character. Likewise, 99% of my stories start with a character, and plot always comes later (usually after much hair-pulling).

Why Do I Write What I Write?

Basically, because it's what I want to read. It seems so often that SFF tell the same stories, over and over - finding something outside of this rut can be a real challenge. I have no interest in writing a medieval-esque fantasy with all white characters and strict gender roles, because my library is filled with shelves of those stories already. But a race of characters who can shift genders? A trans-specied mermaid who becomes human? Those are stories I want to read. And since no one has told them so far, maybe I'll give it a go.

How Does My Writing Process Work?

Um… erratically?

OK, in all seriousness, I'm still working that out. I'm a pantser by nature (outlines give me hives) but if I just blunder into my first draft blind, it never ends well. So far it seems I work best by doing extensive character and world building in the pre-drafting stage, then going into the first draft with a general idea of plot points. And the ending. If I don't have an ending in mind, then I don't know what to write toward.

I liken it to watercolors (you knew I'd have to go there eventually). I start a painting with a detailed sketch, and a basic knowledge of which colors will go where, which areas will be dark and which areas will be light. Then I add paint and water, and see what happens. And I'm always surprised at what turns up - and how it's often more interesting than what I'd expected.

In short, it's an organic, ever-changing process.

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Thanks to Jami for the open invite to join the blog tour, and for the opportunity for a little self-reflection (which is always good - in small doses).

Link Soup: Blogging Edition

Like every other writer on the internets, I struggle with balancing time between writing and this whole online presence we're supposed to have. Here are some really helpful articles for social media newbies such as myself:

How to Write Blog Content ~ Anne R. Allen
Nine steps for a more interesting blog. I've bookmarked this one, and will be referring back to it. Frequently.

Ways Authors Waste Time "Building Platform" on Social Media ~ Anne R. Allen
#5 alone made me love this article - I'm a slow writer (for both fiction and blog posts). And I'm all for quality over quantity.

Writing Tools ~ Writers Helping Writers
An array of excellent articles on everything from character development to social media.

How to Keep Up Online Without Losing Your Mind ~ Kate Hart
Good advice for how not to lose your mind (or your writing time!)

Seems like, in the end, it comes down to this: write. Tweet or blog when you can. And then keep writing.

A Rant: Hobbits, Women, and Orlando Bloom

Last December, a review of the second Hobbit film "The Desolation of Smaug" ran in a local paper. It was no different than any of a thousand other Hobbit movie reviews, until I came to this line:

"… and the return of Orlando Bloom as elf Legolas. Now, besides hairy-footed hobbits and bushy-bearded dwarfs, women have a reason to get excited about this trilogy."

Excuse me?!

I didn't know I needed a reason to get excited over this latest trilogy. Silly me, I thought watching all of the previous trilogy (extended editions, no less!) and reading Tolkien's books was reason enough.

But, it turns out, I was wrong.

Because clearly I, as a woman, couldn't possibly be interested in any other aspect of these movies.

Not the richly detailed world. Not the story of an unlikely hero finding his courage and saving the day. Not the mind-blowing scenery of New Zealand or special effects. Certainly not the acting chops of some of the UK's most talented character actors (most of whom I'd have few other chances to watch here in the US). And of course I wouldn't be interested in a dragon!

Because clearly the only thing that could possibly make my girly little synapses fire is a so-called* pretty face.

It's not like I could possibly watch a movie for several hours without Hollywood's idea of eye candy to keep my attention. And I couldn't possibly find any of the other male actors compelling by virtue of their screen presence or acting ability.**

Because clearly I couldn't have been devouring fantasy books since I was old enough to read.

And I certainly couldn't make weekly trips to my library to find *more* fantasy and sci-fi books to inhale.

Because clearly women aren't interested in sci-fi and fantasy. Right?

* No offense intended to Orlando Bloom, who seems like a nice guy.

** Two words: Lee Pace.

LAST NIGHT IN GHOSTTOWN Cover Reveal!

I'm thrilled to present the cover of LAST NIGHT IN GHOSTTOWN, by the talented Diogo Lando:

Dev is a soldier, come to Ghosttown to drown his sorrows for one night before deploying to a war zone across the galaxy. He didn't expect to meet Rishi, a fugitive with a shadowy past, or get drawn into a whirlwind of colorful festivals and even more colorful strangers, of mysterious gemstones and missing princes. And his last night in Ghosttown will leave him forever changed...

Learn more at the official page from Eggplant Productions:
http://eggplantproductions.com/e-books/last-night-ghosttown-kathryn-mckade/

Or add to your GoodReads shelf!

Can't wait? Here's a taste:

Ghosttown: slum, theme park, and holy city all in one. The last place in the galaxy I should've been. I was due on base today--a flashing notice in the bottom left corner of my vision told me so, like I could forget it--and I could still make a transpod back if I hauled ass. If my CO and the other brass decided I'd gone AWOL, they'd hunt me down and have this new arm off me before I could blink.

Turn back now. Only smart thing to do. Instead, I stepped into Ghosttown.

Many thanks to Diogo Lando for the amazing cover art! Check out more of his work at his website: http://www.diogolando.com

Links and Check-In 3.8.14

Are You Living Your Dream? ~ Jami Gold
An excellent post that I think every writer on the planet can relate to. It can sometimes feel insurmountable trying to balance writing between real-world distractions (bills, jobs, day-to-day life) and personal obstacles (finding time with/away from family and friends, writer's block, and that demon self-doubt). Though ultimately it is one of those journeys that only you can discover your truth, Jami's ideas on reclaiming the dream are very helpful and encouraging. (Warning: don't watch the video if you don't want that Lego song stuck in your head for the rest of eternity!)

Is Fear Driving You Forward or Dragging You Under? ~ Kristen Lamb
A sister post to Jami Gold's, and also a very timely examination of the fears that dog us both as writers and as human beings. I've said before that I never expected my first novella, LAST NIGHT IN GHOSTTOWN, to go any farther than my hard drive, yet here I am two months away from its release by Eggplant Productions. And as amazing and exciting as this is, at times I find myself struggling - with the fear that LAST NIGHT is a fluke, and perversely with the fear that my writing will go on to require more from me than I have or want to give it (i.e. at the expense of my artwork). Fear is a funny thing, attacking from all angles if we let it. Lately I've been reminded of the famous quote from Marianne Williamson:

Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness that most frightens us… As we are liberated from our own fear, our presence automatically liberates others.

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As for the check-in, all of my writing time this week was focused on edits for LAST NIGHT IN GHOSTTOWN. Still researching for the mermaid story (though the dystopian fantasy keeps trying to cut ahead of it in my mental "ideas" line). I've been letting the short story simmer in the meantime, though the other night I had a really great idea on something to add into the mix. Now if I could only remember what it was...

Links and Check-In

Procrastination (Or Why You Can't Trust a Version of You from the Future)

I am so very guilty of this. In fact, I've spent all week procrastinating this post, which was in turn my excuse for procrastinating working on my short story. Very interesting take on why so many writers, myself included, put off writing that hard scene ("I may have no clue how to write it today, but surely Tomorrow Me will know just how to do it!")

Premise vs. Plot: Which Do You Have?
This could have been written exclusively for me. Premises come to me as easily and often as oxygen. Lately I've had about seven different premises vying for attention in my brain. Plots, however, have always been a different story. It often seems to come down to the fact that my characters prefer standing around talking to actually, you know, doing anything. I have no idea where they got that trait from *ahem* Anyway, this article breaks down the difference of plot and premise, has some handy tips on fleshing out an idea into a story. I've bookmarked this baby!

What Makes a Story Event a "Turning Point"?
Another article that could've been written just for me. As I said above, plot has always been a challenge for me. Sure, I can come up with things to keep the characters busy, but how to keep all those events from becoming a random mishmash of obstacles? Finally my writing mentor introduced me to what so many other writers already knew of, the "trigger." It's not just that events A, B, and C happen to the characters - it's that A happens because of the initial setup, B happens because of A, C happens because of B, and so on. This article explains it all in detail, and will surely be invaluable to me in the future.

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As for my own writing, I've been battling the Demons of Self-Doubt and haven't gotten too far on the short story. I did go back and rework the opening, which I'm much happier with. Currently a bit stuck, but if I can silence (for a little while at least) The Voice telling me my time would be better spent organizing my sock drawer, then I can push through and get on with the story. Fingers crossed.

Also, Arizona has been the only state in the US not buried under a foot of snow, so I feel obligated to enjoy the sunny weather on behalf of all of my fellow writers. How's that for an excuse?

Writing Links

Who Cares? ~ Rachel Herron
Excellent summary of how I've always felt about first drafts (though I didn't realize it until I read her post). My natural tendency as a writer is toward a long, rambling, and distinctly violet-hued style, so I tend to overcompensate by writing lean. As a result, my first drafts are often little more than awkward beats interspersed with clumsy dialogue. And, perhaps most importantly, I've yet to get a really good grasp of my characters and their voices (it took three drafts to feel like I really knew Dev's voice in Last Night in Ghosttown).

In Defense of Pantsing ~ Jami Gold
Really great post about plotting vs. pantsing. I write by a mix of heavy research and planning before I ever write a single word, then more or less turning myself loose on the early drafts. So many interesting points develop as I write - things I never, ever could've planned for. When gaps in my research and planning become apparent, I fill them in in preparation for subsequent drafts. So the thought of being a strict plotter, complete with outlines and bullet points, just leaves me cold. Basically, I write like I paint - lots and lots of prep (possibly to the point of over thinking everything) then get out the paint and go with the flow.

On Recent Doctor Who ~ Lenora Rose
Interesting analysis of Moffat-era Who. She pegs some of the things that have really bugged me about recent seasons ("series" for any Brits out there), like why Moffat's writing has irked my feminist sensibilities. It really all comes down to this:

While I'm looking forward to seeing what Peter Capaldi does with an older looking Doctor, we didn't actually need a new Doctor. We need to get rid of Steven Moffat as head writer.

I would disagree slightly in that I was more than ready for Matt Smith to leave (while he's a good actor, I've felt from the start that's he's simply too young for the role. YMMV). And I too can't wait to see Peter Capaldi come this fall. But with Moffat still in charge, we'll likely continue to have the inconsistent characterization, convoluted season-arcs and nonsensical resolutions that, honestly, made me lose interest in Who by Matt Smith's second season.

I want a new head writer, too.